Hey Son – Sam Feldt, MC4D, VIZE, Aloe Blacc
Fire – Sarah Engels
Clarity – Gestört aber GeiL, July
Wieder Alles Im Griff (2K25) – NOISETIME, NoooN, Jürgen Drews
Dancing in Love (Tribbs Remix) – Alan Walker, MEEK, Tribbs
Make It Right – Tom Gregory, VIZE
For Real – MOGUAI, Mr. V
Wait (Alibi Blue) – VIZE
Where Do I Go Now? – Joris Sava
Waiting Game – Twisted Harmonies, Joris Sava
Shadow – Joris Sava
Kälte Im Sommer – Stella Bossi
Don't You Know – FRAU NEBEL
Do Not Be Afraid – AEZARYA
Girls Gone Wild – Kitty Kat, Dario Rodriguez, Crystal Rock
Forever Young (Festival Version) – VIZE, roman
Better On My Own – Joris Sava
Keep You Safe – Sarah Engels
In 4 Days...

From a
Demo

To a
Finished
Single

Ossia Amplify Logo Animation

You’ve got the skills but not the output cadence?

  • You start strong, then projects stall at 60–80%
  • You lose momentum in the “last 20%”
  • Collabs get messy (unclear roles, feedback loops, session chaos)
  • You want releases, not more unfinished ideas
  • You’re balancing a 9–5 or early music income and need a system that actually holds

Jason Ullah

Founder | Ossia

Most producers don't lack ideas — they lack a system that turns ideas into finished tracks. Ossia Lab is built to finish one track and make finishing repeatable, so you leave with a single, a workflow, and the confidence that your next session won't stall at 70%.

Jason Ullah | Producer and Founder Ossia

Your hosts

Meet the people guiding the Ossia Lab

Raphael Lott

Raphael Lott

is an Ableton Certified Trainer, producer, songwriter, and mastering engineer ranked among the top 2% in his field. He lectures at the Universities of Music in Freiburg and Trossingen and is known for his work across contemporary music production, songwriting, and mastering. In 2026, he co-wrote and co-produced “Fire” Germany’s entry for the Eurovision Song Contest.

Patrick Kuhn Botelho

Patrick Kuhn Botelho

is a film composer, content creator, and strategist working at the intersection of storytelling, communication, and music. Alongside his creative work, he is active in project management and digital communication at the University of Music Trossingen, with experience across film, games, and event media. His credits as a composer include projects such as Dead End, Kirschen essen, Wo ist mein Safe Space?, and Stray Flower.

Clarissa

Clarissa Schöppe

is a songwriter, singer, and artist whose work combines strong vocal expression with a contemporary pop sensibility. Alongside her artistic career, she is also an experienced vocal coach, bringing both creative and technical depth to her work in the studio and beyond. She has collaborated with artists including Timmy Trumpet, Tiscore, Sarah Engels, With U and many more and moves confidently between songwriting, performance, and vocal development.

Valentin Bös

Valentin Bös

is a music producer at Crash Your Sound and part of the core production team behind both Crash Your Sound and VIZE, helping shape a distinctive sound across contemporary pop, dance, and EDM. Since entering the industry in 2024, he has worked with artists including Alan Walker, Sam Feldt, Tribbs, Aloe Blacc, Moguai, Sarah Engels, OBS, D.T.E, VIZE, Niklas Dee, Cascada, Tom Gregory, Joris Sava, Lupage, and Lumidee. He also co-produced a remix with Alan Walker, while one of his remixes has become a regular feature in Robin Schulz’s live sets. His work moves fluidly across genres such as Hard Techno, Goa, Trance, Tech House, Melodic Techno, and DnB, combining high-impact production with a polished sonic identity. He is also a co-author of “Fire” the German entry for the Eurovision Song Contest 2026.

Dario Schürmann

Dario Schürmann

is Co-Founder of OSSIA, an former A&R consultant at Sony Music Germany and Mentalo Music and Senior A&R Manager at Crash Your Sound, as well as a producer, DJ, and songwriter. He works across pop and electronic music, and he is a writer and producer of “Fire” Germany’s Eurovision Song Contest 2026 entry.

Hannes Volz

Hannes Volz

is a singer, songwriter, and topliner specializing in melody writing, lyric writing, and vocal performance. Working across indie-pop, pop, EDM, and techno, Hannes has built an international career as a go-to creative partner for established artists, producers, and labels looking to shape strong ideas into standout songs. His work has accumulated over 60 million streams across digital streaming platforms, with releases on all major labels and songs written for artists such as Stella Bossi, Sarah Engels, Malive, Lynnic, and many more. His songs have been played on stages around the world, including Tomorrowland, Lollapalooza, and ADE, and he has appeared on TV shows such as The Voice of Germany and Tokio Hotel’s Superduper Show. Hannes has a sharp instinct for what a song is missing — whether it needs a stronger hook, a clearer concept, a more honest lyric, or a vocal moment that finally makes the emotion land. In his sessions, he helps artists and producers get past the obvious choices and shape the idea, melody, lyric, and delivery until the song feels complete.

Jason Ullah

Jason Ullah

is Co-Founder of OSSIA, a composer, pianist, and artistic manager working across contemporary music production and interdisciplinary performance. He is part of the OSSIA team behind “Fire” Germany’s Eurovision Song Contest 2026 entry, and his wider work includes innovative concert and music-theatre projects such as those developed with the Frideswide Ensemble.

What You Will Leave With

  • 1 fully produced single
  • Reference bounce
  • Collaboration Operating System (rules + templates + checklists)
  • A 30-day finishing cadence plan (weekly workflow you can keep)

Who this is for

  • Intermediate electronic producers (techno/house/melodic etc.)
  • You’ve got a backlog of unfinished projects
  • You can operate your DAW confidently (routing/editing/arrangement basics)
  • You want a reliable process for finishing
  • You can commit to all 4 full days + pre-work

It's sadly not for you if...

  • ... Stage/show coaching is the main goal
  • ... you are unwilling to focus on finishing one track
  • ... you are a total beginner and need DAW fundamentals

The format

Pre-work

Bring projects + references. Zoom call with hosts for preparation.

Day 1

Collaboration OS + direction lock. Choose the one track to finish.

Day 2

Create + commit. Targeted topline/lyric support if needed. 1:1 breakout #1.

Day 3

Arrangement, production polish, revisions in timeboxes. 1:1 breakout #2.

Day 4

Build to finished: Mix-prep + exports + delivery. 1:1 breakout #3 + 30-day plan. Highlight: Listening Party with industry guests.


Built like an accelerator

Timeboxed work blocks + “definition of done”

Hands-on production coaching focused on completion

Workflow templates that survive real life (9–5 friendly)

Small cohort, high accountability


1:1 Breakouts

Bottleneck diagnosis + next moves on the track

Final session locks your weekly cadence + next 14–30 day execution plan

Logistics

  • Location: Berlin (details released to waitlist)
  • Cohort: 10 seats + scholarships
  • Format: In-person, 4 days
  • Bring: Laptop/DAW + headphones + projects
  • Dates: 9.-12. July, 8.-11. October, 26.-29. November

How It Works

  • Join the waitlist: Get first access to dates, seats, and full details.
  • Quick qualification: So the cohort stays intermediate and outcomes stay high.
  • Seats open: First-come-first-serve for paid seats. Scholarships assessed separately.

Scholarship Seats

Two scholarship seats per cohort for serious producers who meet criteria. Apply via the same form and tick “Scholarship.” Scholarships are assessed separately (not first-come-first-serve).

Join the Waitlist

Preferred months

FAQ